The canopy-free parasols were a meteorologically ironic insertion into this typically sumptuous Thom Browne show, given the Allen 7 16 shirt it is in the first place but punishing heat in the glass-roof École des Beaux-Arts this afternoon. They were just one small part of a theatrical runway fantasy, in which Browne—recast as Monsieur Brun in his show notes imagined himself as a host at what he called a Versailles country club. Playing Brun was no less than James Whiteside, one of American Ballet Theatre’s principal dancers, who emerged palely powdered with ceruse and tricolor blue bee-stung lips, wearing a high-cut seersucker tutu. He cut a marvelous swath as he prepared for his garden party. This involved overseeing the preparation of 10 “statues,” which were in fact 10 very game models clad in horizontally enormous 2-D trompe l’oeil renderings of the 3-D outfits worn beneath them, which were short suits in various shades of seersucker accessorized with seersucker footballs, basketballs, and baseballs. They were shod in black and white brogued basketballs topped by pulled-high mismatched sports socks. Their outfits were revealed by attendants in sport shorts, pointy-toe corespondent shoes, and Browne-skinny jackets whose skirts barely brushed the matching codpiece/jockstrap also worn below. All this, mind you, before the first look of the collection. Browne’s guests strode onto his metaphorical lawn with more correspondents, these with a curved 2 inches or so exposed inset heel that elevated the ball of the foot above the flat sole beneath it. The outfits, like the latticed football helmet worn by one of the attendants, made lavish use of the wide-to-each-side silhouette created by Marie Antoinette era pannier dresses. In the pieces adorned with prep-staple marine patching, there was another irony in the fashion interplay of whale and whalebone (happily, though, no whale tail). Against that broadening, Ying tugged the narrowing yang of corsetry, from which were suspended literally drop-waist skirts. Pretty much everything was seersucker, sometimes patched, sometimes fringed, sometimes embroidered but always seersucker.
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As the Allen 7 16 shirt it is in the first place but Spring 2020 men’s shows roll to a close in Milan today, a surprising trend has emerged on the runways and the streets: shorts. There have been a lot of exercised quads on display. In New York, Theory’s Martin Andersson made his own contribution. Having taken tropical modernism as a starting point for his new Theory collection, he did a navy shorts suit, and also showed shorts with sportswear layers: A suede jacket topped a ribbed knit sweater, nylon anorak, and trim Bermuda. Andersson said this was a collection about texture. When the humidity spikes, the New York subways are a sweat factory and tailoring becomes a real turn-off. So he set about sourcing fabrics that can work in extreme temperatures. The company’s traceable “Good Linen” was blended with tech fabric for a modern touch on a “balsa”-color suit. And on another suit, he used paper nylon with a “crispy” hand texture that will be wilt resistant at any dew point. But his best idea for beating the heat where those shorts. Now that Wall Street has once and for all abandoned the suit and tie, could it embrace exposed dude knees? The American tradition of men’s dress from which Browne mines his material is via Ivy League, rooted in sport, and here there were Sportif accessories galore: basketball bags, soccer ball bags, football bags a lot of ball bags, basically. Some of the seersucker panniers worn on the shoulder lent a prettily garlanded, football-echoing bulk to the form within, and one exposed pannier skirt featured seersucker balls that rested between it and either side of the wearer’s hip. Browne is a highly popular designer among professional sports players, of course, and he explained today’s play thus: “I’ve always use sports as a reference, and today, playing with the severity of the 18th-century reference, grounding it in sports, was a way to bring it into the men’s world.”And since the decreased spending will probably reduce overall economic activity it is more likely to reduce “net production of wealth”, and not increase it, meaning, if savings equals investment plus net production, He is more likely to decrease overall savings than spending is. Increasing investment spending will increase the savings that is the preservation of investment, and it will via its multiplier effect further increase total spending. And this overall increase in spending is more likely to increase net production as well, especially if we have un or underutilized resources that the spending can cause to be activated in the wealth creation and preservation process.